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dc.contributor.editorContzen, Eva von
dc.contributor.editorGoodblatt, Chanita
dc.date.accessioned2020-04-20T12:24:57Z
dc.date.available2020-04-20T12:24:57Z
dc.date.issued2020
dc.identifier.isbn9781526131614en_US
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/37340
dc.description.abstractThe thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.en_US
dc.languageEnglishen_US
dc.subject.classificationbic Book Industry Communication::D Literature & literary studiesen_US
dc.subject.otherBibleen_US
dc.subject.othermedievalen_US
dc.subject.otherearly modern dramaen_US
dc.subject.otherliteratureen_US
dc.subject.othercultureen_US
dc.titleEnacting the Bible in medieval and early modern dramaen_US
dc.typebook
oapen.relation.isPublishedBy6110b9b4-ba84-42ad-a0d8-f8d877957cdden_US
oapen.relation.hasChapter44b23c56-cfe2-4642-b7d9-92b141e3a3df
oapen.place.publicationManchesteren_US


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