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    Chapter 9 Protestant place, Protestant props in the plays of Nicholas Grimald

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    Author(s)
    Dutton, Elisabeth
    Language
    English
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    Abstract
    Elisabeth Dutton focuses on how Reformation Protestant writers asserted the historicity of scriptural events. She asks a crucial question: How do the Protestant playwrights manage to create any form of ‘scene’ by which their audiences might be able to situate themselves in these events? Dutton argues that to encourage these audiences, these playwrights – specifically John Bale, John Foxe, and Nicholas Grimald – used the accessible, physical reality of props to thereby overcome the challenges of presenting a Protestant history.
    Book
    Enacting the Bible in medieval and early modern drama
    URI
    http://library.oapen.org/handle/20.500.12657/37341
    Keywords
    protestant drama; Reformation; Nicholas Grimald; props
    DOI
    10.7765/9781526131607
    Publisher
    Manchester University Press
    Publisher website
    https://manchesteruniversitypress.co.uk/
    Publication date and place
    Manchester, 2020
    Grantor
    • Swiss National Science Foundation (SNSF) - OAPEN-CH
    Classification
    Literary studies: ancient, classical and medieval
    Literary studies: plays and playwrights
    Christianity
    Criticism and exegesis of sacred texts
    Pages
    18
    Rights
    http://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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