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dc.contributor.authorAscher Barnstone, Deborah
dc.date.accessioned2016-06-30 23:55
dc.date.accessioned2019-11-27 13:50:17
dc.date.accessioned2020-04-01T14:08:03Z
dc.date.available2020-04-01T14:08:03Z
dc.date.issued2016
dc.identifier649980
dc.identifier611261
dc.identifierOCN: 993091333
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/37525
dc.description.abstractThe Breslau arts scene during the Weimar period was one of the most vibrant in all of Germany, yet it has disappeared from memory and historiography. 'Beyond the Bauhaus' explores the polyvalent and contradictory nature of cultural production in Breslau in order to expand the cultural and geographic scope of Weimar history.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::A The Arts::AM Architectureen_US
dc.subject.otherhistory
dc.subject.otherart
dc.subject.otherarchitecture
dc.titleBeyond the Bauhaus
dc.title.alternativeCultural Modernity in Breslau, 1918-33
dc.typebook
oapen.identifier.doi10.3998/mpub.8749103
oapen.relation.isPublishedBye07ce9b5-7a46-4096-8f0c-bc1920e3d889
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9780472119905
oapen.collectionKnowledge Unlatched (KU)
oapen.place.publicationAnn Arbor
oapen.grant.number103489
oapen.grant.programKU Round 2
oapen.redirect649980
oapen.identifier.isbn9780472119905
grantor.number103489
peerreview.anonymityDouble-anonymised
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.review.decisionYes
peerreview.review.stagePre-publication
peerreview.review.typeFull text
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleExternal Review of Whole Manuscript
oapen.review.commentsThe proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication.


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