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dc.contributor.editorPatrick Pringle, Thomas
dc.contributor.editorKoch, Gertrud
dc.contributor.editorStiegler, Bernard
dc.date.accessioned2020-05-04T14:50:45Z
dc.date.available2020-05-04T14:50:45Z
dc.date.issued2019
dc.identifierBook_9783957961488_20200504_6
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/37548
dc.description.abstractIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
dc.languageEnglish
dc.relation.ispartofseriesIn Search of Media
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.othertechnology
dc.subject.otherautomation
dc.subject.otheranimation
dc.subject.otherdigitization
dc.subject.othercybernetics
dc.subject.otherecosystems
dc.subject.otherpolitics
dc.subject.othereconomics
dc.subject.otherexploitation
dc.subject.otherphilosophy
dc.titleMachine
dc.typebook
oapen.identifier.doi10.14619/1488
oapen.relation.isPublishedBy4d4a8ec1-ecfe-4e5c-bc76-d4ece9897968
oapen.collectionScholarLed
oapen.pages104


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