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dc.contributor.authorTurquety, Benoît
dc.date.accessioned2020-05-04T14:51:05Z
dc.date.available2020-05-04T14:51:05Z
dc.date.issued2019
dc.identifierBook_9783957960047_20200504_34
dc.identifier.urihttp://library.oapen.org/handle/20.500.12657/37576
dc.description.abstractIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
dc.languageEnglish
dc.relation.ispartofseriesConfigurations of Film
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio
dc.subject.othertechnology
dc.subject.otherSimondon
dc.subject.otherformat
dc.subject.othermedia
dc.subject.othernetwork
dc.subject.otherdigital cinema
dc.titleMedium, Format, Configuration
dc.title.alternativeThe Displacements of Film
dc.typebook
oapen.identifier.doi10.14619/0047
oapen.relation.isPublishedBy4d4a8ec1-ecfe-4e5c-bc76-d4ece9897968
virtual.oapen_relation_isPublishedBy.publisher_namemeson press
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://meson.press/
oapen.collectionScholarLed
oapen.pages54


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