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    The Modernist Bestiary

    Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland

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    Contributor(s)
    Kay, Sarah (editor)
    Mathews, Timothy (editor)
    Language
    English
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    Abstract
    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge
    URI
    http://library.oapen.org/handle/20.500.12657/39433
    Keywords
    Comparative literature; History of art
    DOI
    10.14324/111.9781787351516
    Publisher
    UCL Press
    Publisher website
    https://www.uclpress.co.uk/
    Publication date and place
    London, 2020
    Series
    Comparative Literature and Culture,
    Classification
    Literature: history and criticism
    History of art
    Rights
    https://creativecommons.org/licenses/by/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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