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dc.contributor.authorRichardson, Frank C.
dc.date.accessioned2020-06-23T07:32:46Z
dc.date.available2020-06-23T07:32:46Z
dc.date.issued1962
dc.identifierONIX_20200623_9781469658230_34
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/39786
dc.description.abstractFrom Madame de Staël, Dumas, and Taine, to Giraudoux, Adamov, Ionesco, and the existentialists, this study provides a fascinating account of the progress of Kleist's reception in France from complete rejection in 1807 to spectacular critical and public acclaim in the 1950s. Richardson argues that Kleist's success in France disproves the traditional idea that his work is "unexportable" and shows the conditions that led to his positive reception outside Germany.
dc.languageEnglish
dc.relation.ispartofseriesUNC Studies in the Germanic Languages and Literatures
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.subject.otherGerman Studies
dc.subject.otherLiterature
dc.titleKleist in France
dc.typebook
oapen.identifier.doi10.5149/9781469658230_Richardson
oapen.relation.isPublishedBy29b4cf74-8c0a-422f-9d27-e862ca722861
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.relation.isFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
oapen.series.number35
oapen.pages224
oapen.place.publicationChapel Hill
oapen.grant.number[grantnumber unknown]
oapen.grant.number[grantnumber unknown]
oapen.grant.programHumanities Open Book Program
oapen.grant.programHumanities Open Book Program


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