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dc.contributor.editorBell, Emily
dc.date.accessioned2020-07-20T11:44:49Z
dc.date.available2020-07-20T11:44:49Z
dc.date.issued2020
dc.identifier.isbn9781912482207en_US
dc.identifier.isbn9781912482221en_US
dc.identifier.isbn9781912482238en_US
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/40018
dc.description.abstract"[W]e have a long way to travel before we get back to what Dickens meant… G.K. Chesterton, Charles Dickens The twentieth and twenty-first centuries have continued the quest, so aptly described by G. K. Chesterton in 1906, to ‘find’ Charles Dickens and recapture the characteristically Dickensian. From research attempting to classify and categorise the nature of his popularity to a century of film adaptations, Dickens’s legacy encompasses an array of conventional and innovative forms. Dickens After Dickens includes chapters from rising and leading scholars in the field, offering creative and varied discussion of the continued and evolving influence of Dickens and the nature of his legacy across the 19th, 20th and 21st centuries. Its chapters show the surprising resonances that Dickens has had and continues to have, arguing that the author’s impact can be seen in mainstream cultural phenomena such as HBO’s TV series The Wire and Donna Tartt’s novel The Goldfinch, as well as in diverse areas such as Norwegian literature, video games and neo-Victorian fiction. It discusses Dickens as a biographical figure, an intertextual moment, and a medium through which to explore contemporary concerns around gender and representation. The new research represented in this book brings together a range of methodologies, approaches and sources, offering an accessible and engaging re-evaluation that will be of interest to scholars of Dickens, Victorian fiction, adaptation, and cultural history, and to teachers, students, and general readers interested in the ways in which we continue to read and be influenced by the author’s work. This collection is edited by Dr Emily Bell (Loughborough University) with a Foreword by Professor Juliet John (Royal Holloway, University of London), author of Dickens and Mass Culture (OUP). Dr Bell is a board member for the Oxford Dickens series and an editor for the Dickens Letters Project. She also acted as the first Communications Committee Chair of the international Dickens Society, and has published on Dickens, life writing and commemoration. "en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writersen_US
dc.subject.classificationthema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB Englishen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studiesen_US
dc.subject.otherCharles Dickensen_US
dc.subject.othernineteenth century literatureen_US
dc.subject.othercultural studiesen_US
dc.subject.otherliterary afterlives/reception studiesen_US
dc.subject.otheradaptationen_US
dc.subject.otherNeo-Victorian studiesen_US
dc.titleDickens After Dickensen_US
dc.typebook
oapen.identifier.doi10.22599/DickensAfterDickensen_US
oapen.relation.isPublishedBya48d5205-697d-46b4-b080-2f5fc2e52439en_US
oapen.pages260en_US
oapen.place.publicationYorken_US


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