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dc.contributor.editorKruse, Christiane
dc.contributor.editorMeyer, Birgit
dc.contributor.editorKorte, Anne-Marie
dc.date.accessioned2020-07-20T13:37:45Z
dc.date.available2020-07-20T13:37:45Z
dc.date.issued2018
dc.identifierONIX_20200720_9783770563456_13
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/40031
dc.description.abstractWhat makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.
dc.languageEnglish
dc.relation.ispartofseriesdynamis
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QR Religion and beliefsen_US
dc.subject.classificationthema EDItEUR::A The Artsen_US
dc.subject.otherReligion
dc.subject.otherthe arts
dc.titleTaking Offense
dc.title.alternativeReligion, Art, and Visual Culture in Plural Configurations
dc.typebook
oapen.identifier.doi10.30965/9783846763452
oapen.relation.isPublishedByaf16fd4b-42a1-46ed-82e8-c5e880252220*
oapen.imprintSchöningh and Fink Social Sciences
oapen.pages383


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