Imagination without Borders
Feminist Artist Tomiyama Taeko and Social Responsibility
dc.contributor.editor | Hein, Laura | |
dc.contributor.editor | Jennison, Rebecca | |
dc.date.accessioned | 2020-09-03T13:55:50Z | |
dc.date.available | 2020-09-03T13:55:50Z | |
dc.date.issued | 2020 | |
dc.identifier | ONIX_20200903_9780472901623_21 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/41576 | |
dc.description.abstract | "Tomiyama Taeko, a Japanese visual artist born in 1921, is changing the way World War II is remembered in Japan, Asia, and the world. Her work deals with complicated moral and emotional issues of empire and war responsibility that cannot be summed up in simple slogans, which makes it compelling for more than just its considerable beauty. Japanese today are still grappling with the effects of World War II, and, largely because of the inconsistent and ambivalent actions of the government, they are widely seen as resistant to accepting responsibility for their nation’s violent actions against others during the decades of colonialism and war. Yet some individuals, such as Tomiyama, have produced nuanced and reflective commentaries on those experiences, and on the difficulty of disentangling herself from the priorities of the nation despite her lifelong political dissent. Tomiyama’s sophisticated visual commentary on Japan’s history—and on the global history in which Asia is embedded—provides a compelling guide through the difficult terrain of modern historical remembrance, in a distinctively Japanese voice. Laura Hein is Professor of Japanese History at Northwestern University. This is her fifth edited book on the politics of war remembrance. Rebecca Jennison is Professor of Literature and Gender Studies at Kyoto Seika University. She has been assisting Tomiyama Taeko as a translator since 1990, and has published several articles and translations on the artist’s work." | |
dc.language | English | |
dc.relation.ispartofseries | Michigan Monograph Series in Japanese Studies | |
dc.subject.other | Society and social sciences | |
dc.title | Imagination without Borders | |
dc.title.alternative | Feminist Artist Tomiyama Taeko and Social Responsibility | |
dc.type | book | |
oapen.identifier.doi | 10.3998/mpub.9340221 | |
oapen.relation.isPublishedBy | e07ce9b5-7a46-4096-8f0c-bc1920e3d889 | |
oapen.relation.isFundedBy | 0314e571-4102-4526-b014-3ed8f2d6750a | |
oapen.imprint | U of M Center For Japanese Studies | |
oapen.series.number | 69 | |
oapen.pages | 175 | |
oapen.grant.number | [grantnumber unknown] | |
peerreview.anonymity | Double-anonymised | |
peerreview.id | d98bf225-990a-4ac4-acf4-fd7bf0dfb00c | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Scientific or Editorial Board | |
peerreview.review.decision | Yes | |
peerreview.review.stage | Pre-publication | |
peerreview.review.type | Full text | |
peerreview.reviewer.type | External peer reviewer | |
oapen.review.comments | The proposal was selected by the acquisitions editor who invited a full manuscript. The full manuscript was reviewed by two external readers using a double-blind process. Based on the acquisitions editor recommendation, the external reviews, and their own analysis, the Executive Committee (Editorial Board) of U-M Press approved the project for publication. |