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dc.contributor.editorChateau, Dominique
dc.contributor.editorMoure, José
dc.date.accessioned2020-10-02T14:46:37Z
dc.date.available2020-10-02T14:46:37Z
dc.date.issued2020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/42407
dc.description.abstractThis volume explores new ways of considering, experiencing and making films in a time of technological transition. It brings together an international group of scholars and artists from a variety of countries, who speak different languages and come from different cultural and disciplinary backgrounds.en_US
dc.languageEnglishen_US
dc.relation.ispartofseriesThe Key Debates: Mutations and Appropriations in European Film Studiesen_US
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinemaen_US
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studiesen_US
dc.subject.otherfilm, contemporary art, media, aesthetics, dispositifen_US
dc.titlePost-cinemaen_US
dc.title.alternativeCinema in the Post-art Eraen_US
dc.typebook
oapen.relation.isPublishedBydd3d1a33-0ac2-4cfe-a101-355ae1bd857aen_US
virtual.oapen_relation_isPublishedBy.publisher_nameAmsterdam University Press
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://www.aup.nl/
oapen.pages377en_US
oapen.place.publicationAmsterdamen_US


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