Ort und Zeit
Filmische Heterotopien von Hochbaum bis Tykwer
dc.contributor.author | Wedel, Michael | |
dc.date.accessioned | 2021-02-11T17:55:49Z | |
dc.date.available | 2021-02-11T17:55:49Z | |
dc.date.issued | 2020 | |
dc.identifier | ONIX_20210211_9783110616743_64 | |
dc.identifier.issn | 2626-9198 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/46695 | |
dc.language | German | |
dc.relation.ispartofseries | Cinepoetics Essay | |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATJ Television | en_US |
dc.subject.other | Conception of space in film | |
dc.subject.other | filmic locations | |
dc.subject.other | history of German cinema | |
dc.title | Ort und Zeit | |
dc.title.alternative | Filmische Heterotopien von Hochbaum bis Tykwer | |
dc.type | book | |
oapen.abstract.otherlanguage | Like any story, the story of film doesn’t just unfold in time it is also linked to the locations in which it is inscribed. The filmic poetics that governed this process at different points in the history of cinema are the subject of this book. Using examples ranging from the 1930s to the 1990s, it explores the social and political horizons of heterotopic conceptions of space in German film. | |
oapen.identifier.doi | 10.1515/9783110616743 | |
oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
oapen.series.number | 1 | |
oapen.pages | 138 | |
oapen.place.publication | Berlin/Boston |