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dc.contributor.authorWedel, Michael
dc.date.accessioned2021-02-11T17:55:49Z
dc.date.available2021-02-11T17:55:49Z
dc.date.issued2020
dc.identifierONIX_20210211_9783110616743_64
dc.identifier.issn2626-9198
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/46695
dc.languageGerman
dc.relation.ispartofseriesCinepoetics Essay
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.otherConception of space in film
dc.subject.otherfilmic locations
dc.subject.otherhistory of German cinema
dc.titleOrt und Zeit
dc.title.alternativeFilmische Heterotopien von Hochbaum bis Tykwer
dc.typebook
oapen.abstract.otherlanguageLike any story, the story of film doesn’t just unfold in time it is also linked to the locations in which it is inscribed. The filmic poetics that governed this process at different points in the history of cinema are the subject of this book. Using examples ranging from the 1930s to the 1990s, it explores the social and political horizons of heterotopic conceptions of space in German film.
oapen.identifier.doi10.1515/9783110616743
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.series.number1
oapen.pages138
oapen.place.publicationBerlin/Boston


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