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dc.contributor.authorItalia, Paola
dc.contributor.authorRaboni, Giulia
dc.contributor.authorPRESOTTO, MARCO
dc.contributor.authorBoadas, Sònia
dc.contributor.authorCENTENARI, Margherita
dc.contributor.authorFeriozzi, Francesco
dc.contributor.authorMarranchino, Carmela
dc.contributor.authorBeloborodova, Olga
dc.contributor.authorVan Hulle, Dirk
dc.contributor.authorVerhulst, Pim
dc.date.accessioned2021-03-03T09:30:28Z
dc.date.available2021-03-03T09:30:28Z
dc.date.issued2021
dc.identifier.isbn9781800640238en_US
dc.identifier.isbn9781800640245en_US
dc.identifier.isbn9781800640269en_US
dc.identifier.isbn9781800640276en_US
dc.identifier.isbn9781800640283en_US
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/47023
dc.description.abstract"A stark departure from traditional philology, What is Authorial Philology? is the first comprehensive treatment of authorial philology as a discipline in its own right. It provides readers with an excellent introduction to the theory and practice of editing ‘authorial texts’ alongside an exploration of authorial philology in its cultural and conceptual architecture. The originality and distinction of this work lies in its clear systematization of a discipline whose autonomous status has only recently been recognised (at least in Italy), though its roots may extend back as far as Giorgio Pasquali. This pioneering volume offers both a methodical set of instructions on how to read critical editions, and a wide range of practical examples, expanding upon the conceptual and methodological apparatus laid out in the first two chapters. By presenting a thorough account of the historical and theoretical framework through which authorial philology developed, Paola Italia and Giulia Raboni successfully reconceptualize the authorial text as an ever-changing organism, subject to alteration and modification. What is Authorial Philology? will be of great didactic value to students and researchers alike, providing readers with a fuller understanding of the rationale behind different editing practices, and addressing both traditional and newer methods such as the use of the digital medium and its implications. Spanning the whole Italian tradition from Petrarch to Carlo Emilio Gadda, this ground-breaking volume provokes us to consider important questions concerning a text’s dynamism, the extent to which an author is ‘agentive’, and, most crucially, about the very nature of what we read."en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studiesen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC9 History of ideasen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticismen_US
dc.subject.otherphilology; Authorial Philology; textbook; editing ‘authorial texts’; how to read critical editions;*
dc.subject.otherTextbook*
dc.titleWhat is Authorial Philology?en_US
dc.typebook
oapen.identifier.doi10.11647/OBP.0224en_US
oapen.relation.isPublishedBy23117811-c361-47b4-8b76-2c9b160c9a8ben_US
oapen.collectionScholarLeden_US
oapen.pages214en_US


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