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dc.contributor.editorDixon, Gavin
dc.date.accessioned2021-04-02T09:00:51Z
dc.date.available2021-04-02T09:00:51Z
dc.date.issued2017
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/47583
dc.description.abstractAlfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently diverse and vibrant, and this book demonstrates the range of academic approaches being applied to Schnittke’s work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer’s Christian faith, and detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer’s career. This book has been prepared as a memorial to Professor Alexander Ivashkin, a leading scholar in the field, who died in 2014, and will be of interest not only to those studying Schnittke's music, but also those with an interest in late Soviet-era music in general.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::A The Arts::AV Musicen_US
dc.subject.otherSchnittke, polystylistic, schemataen_US
dc.titleSchnittke Studiesen_US
dc.typebook
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.hasChapterf94f8063-770f-43a8-8655-e16ae7434c6f
oapen.relation.isbn9780367229924en_US
oapen.relation.isbn9781315607702en_US
oapen.relation.isbn9781472471055en_US
oapen.imprintRoutledgeen_US
oapen.pages332en_US
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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