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dc.contributor.authorIngram, Susan
dc.date.accessioned2021-05-03T09:08:56Z
dc.date.available2021-05-03T09:08:56Z
dc.date.issued2021
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/48481
dc.description.abstract"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles. While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known. These essays on works of literature are complemented by a number of texts on jazz, again highlighting important and interesting figures in the world of jazz and free improvisation that may have fallen through the cracks, such as the pianist Richard Twardzick and the Ganelin trio, which recorded their great experimental work Ancora da Capo in 1980, behind the Iron Curtain. Attention is also to given to more popular figures such as Stan Getz. The volume is completed with a series of essays reappraising Roman poets in the twenty-first century, offering fresh new translations and readings of authors such as Catullus and Callimachus. A collection of essays, like an anthology, is by its nature incomplete. Essays on the Peripheries is a kind of sketch, rather than a finished portrait, of the author's changing impressions on various subjects over the years."en_US
dc.languageEnglishen_US
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JP Politics & government::JPW Political activism::JPWF Demonstrations & protest movementsen_US
dc.subject.classificationbic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DF Central Europe::1DFA Austriaen_US
dc.subject.classificationbic Book Industry Communication::A The arts::AN Theatre studiesen_US
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticismen_US
dc.subject.otheractivism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Viennaen_US
dc.titleSiting Futurityen_US
dc.title.alternativeThe “Feel Good” Tactical Radicalism of Contemporary Culture in and around Viennaen_US
dc.typebook
oapen.identifier.doi10.21983/P3.0317.1.00en_US
oapen.relation.isPublishedBy979dc044-00ee-4ea2-affc-b08c5bd42d13en_US
virtual.oapen_relation_isPublishedBy.publisher_namepunctum books
virtual.oapen_relation_isPublishedBy.publisher_websitehttps://punctumbooks.com/
oapen.relation.isbn9781953035479en_US
oapen.collectionScholarLeden_US
oapen.pages224en_US
oapen.place.publicationBrooklyn, NYen_US


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