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dc.contributor.authorSteinmüller, Nina
dc.date.accessioned2021-07-06T13:01:31Z
dc.date.available2021-07-06T13:01:31Z
dc.date.issued2021
dc.identifierONIX_20210706_9783770566174_2
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/49750
dc.languageGerman
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinemaen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATJ Televisionen_US
dc.subject.otherFilm, TV and radio
dc.titleZeitlichkeit und Geschichtlichkeit des bewegten Bildes in der Gegenwartskunst
dc.typebook
oapen.abstract.otherlanguageTime and temporality are not only inherent to the moving image because it is time-based, but also because it is able to reflect on time – through its materialization in the image, through the revelation of distinct layers of time, or by disturbing and disrupting the transparency of the narrating image. In works of contemporary art, the temporality of the moving image interconnects with its historicity.
oapen.identifier.doi10.30965/9783846766170
oapen.relation.isPublishedByaf16fd4b-42a1-46ed-82e8-c5e880252026
oapen.relation.isbn9783770566174
oapen.relation.isbn9783846766170
oapen.imprintFink
oapen.pages271


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