Chapter 1 Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs
dc.contributor.author | Turner, Elizabeth | |
dc.date.accessioned | 2021-10-06T13:05:19Z | |
dc.date.available | 2021-10-06T13:05:19Z | |
dc.date.issued | 2021 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/50842 | |
dc.description.abstract | A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands. The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region. | en_US |
dc.language | English | en_US |
dc.relation.ispartofseries | Routledge Studies in Linguistics | en_US |
dc.subject.classification | thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLP Popular music | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology | en_US |
dc.subject.other | Mikhail Bakhtin, musical discourse, New Zealand, popular culture, popular music and protest discourse | en_US |
dc.title | Chapter 1 Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs | en_US |
dc.type | chapter | |
oapen.identifier.doi | 10.4324/ 9780367823559-1 | en_US |
oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | en_US |
oapen.relation.isPartOfBook | 9d5bd2e6-01ec-4ea5-a91a-d5adb594ebc5 | en_US |
oapen.relation.isbn | 9780367423261 | en_US |
oapen.relation.isbn | 9781032117867 | en_US |
oapen.imprint | Routledge | en_US |
oapen.pages | 16 | en_US |
oapen.remark.public | Funder name: The Lilburn Trust | |
peerreview.anonymity | Single-anonymised | |
peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Publisher | |
peerreview.review.stage | Pre-publication | |
peerreview.review.type | Proposal | |
peerreview.reviewer.type | Internal editor | |
peerreview.reviewer.type | External peer reviewer | |
peerreview.title | Proposal review | |
oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |