| dc.contributor.author | Anders, Günther | |
| dc.date.accessioned | 2021-11-05T04:08:16Z | |
| dc.date.available | 2021-11-05T04:08:16Z | |
| dc.date.issued | 2020-11 | |
| dc.identifier.isbn | 978-3-406-74771-7 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/51322 | |
| dc.description.abstract | This volume contains previously unpublished writings and hardly known texts of the philosopher, writer and intellectual Günther Anders (1902-92) on art and film. The writings date from the 1920s and 1930s, from Andersʼ years in exile in Paris (1933-36) and the USA (1936-50), especially from his years in Hollywood (1939-43), as well as from the post-war period up to the 1950s. These writings from the authorʼs estate are not only an important source for art and cultural studies, but also put a new complexion on Andersʼ oeuvre, in particular on his famous criticism of mass media from the first volume of his main work “The Outdatedness of Man” from 1956 (“The World as a Phantom and Matrix”). | |
| dc.language | German | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATJ Television | en_US |
| dc.subject.classification | thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics | en_US |
| dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies | en_US |
| dc.subject.classification | thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries | en_US |
| dc.subject.other | History of art, Art theory, Aesthetics, Film studies, Media theory, Media arts | en |
| dc.subject.other | ÖFOS 2012, Aesthetics | en |
| dc.subject.other | ÖFOS 2012, Art theory | en |
| dc.subject.other | ÖFOS 2012, Film studies | en |
| dc.subject.other | ÖFOS 2012, Media arts | en |
| dc.subject.other | Kunstgeschichte, Philosophie der Kunst, Ästhetik, Filmtheorie, Medienphilosophie, Medienkunst | de |
| dc.subject.other | ÖFOS 2012, Ästhetik | de |
| dc.subject.other | ÖFOS 2012, Kunsttheorie | de |
| dc.subject.other | ÖFOS 2012, Filmwissenschaft | de |
| dc.subject.other | ÖFOS 2012, Medienkunst | de |
| dc.title | Schriften zu Kunst und Film | de |
| dc.type | book | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Dieser Band versammelt erstmals bislang unveröffentlichte Schriften und verstreut publizierte Texte des Philosophen, Schriftstellers und streitbaren Intellektuellen Günther Anders (1902-92) zu Kunst und Film. Die Arbeiten stammen aus den 1920er und 1930er Jahren, aus Anders’ Emigrationszeit in Paris (1933-36) und den USA (1936-50), insbesondere aus seiner Zeit in Hollywood (1939-43), sowie aus der unmittelbaren Nachkriegszeit bis in die 1950er Jahre hinein. Die aus dem Nachlass des Autors edierten Texte sind nicht nur eine wichtige kunst- und kulturwissenschaftliche Quelle, sondern erlauben auch einen neuen Blick auf Anders’ Gesamtwerk, insbesondere auf seine viel rezipierte Medienkritik aus dem ersten Band seines Hauptwerks „Die Antiquiertheit des Menschen“ aus dem Jahr 1956 („Die Welt als Phantom und Matrize“). | |
| oapen.relation.isPublishedBy | C.H. Beck | |
| oapen.relation.isFundedBy | 0bdd30b8-28cc-4e2d-bd69-6cabb77b36d4 | |
| oapen.collection | Austrian Science Fund (FWF) | |
| oapen.imprint | Ellensohn, Reinhard | |
| oapen.imprint | Putz, Kerstin | |
| oapen.grant.number | PUB 707 | |
