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dc.contributor.editorLewis, Jacob W.
dc.contributor.editorParry, Kyle
dc.date.accessioned2021-12-01T10:24:56Z
dc.date.available2021-12-01T10:24:56Z
dc.date.issued2021
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/51601
dc.description.abstractFrom its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking at a portrait image on the polished silver surface of the daguerreotype, or a viral image on the reflective glass of the smartphone, the experience of looking at photographs and thinking with photography is inseparable from the idea of ubiquity—that is, the apparent ability to be everywhere at once. While photography’s distribution across cultures today is undeniable, the insidious logics and pervasive myths that have governed its spread demand our critical attention, now more than ever.en_US
dc.languageEnglishen_US
dc.subject.classificationbic Book Industry Communication::A The arts::AJ Photography & photographsen_US
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studiesen_US
dc.subject.classificationbic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of arten_US
dc.subject.otherhistory of photography;ubiquity;media studies;visual studies;digital media;social media;internet studies;history of technology;art history;critical theoryen_US
dc.titleUbiquityen_US
dc.title.alternativePhotography's Multitudesen_US
dc.typebook
oapen.identifier.doi10.11116/9789461664020en_US
oapen.relation.isPublishedBy91436d3b-fb9a-45e9-8a57-08708b92dcdaen_US
oapen.relation.isFundedBy608fbdcb-bd0a-4d50-9a26-902224692f76en_US
oapen.relation.isFundedBy1f649e7c-258f-4a73-9efc-4e2c052fffa0en_US
oapen.relation.isFundedBy8f940208-4046-4611-bb87-9895b58b04eden_US
oapen.relation.isbn9789462702899en_US
oapen.relation.isbn9789461664266en_US
oapen.pages304en_US
oapen.place.publicationLeuvenen_US
oapen.remark.publicFunder names: Arts Research Institute at the University of California, Santa Cruz; KU Leuven Fund for Fair Open Access; Liz Warnock Publication Fund, Northwestern University


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