Interfiguralität bei Phaedrus
Ein fabelhafter Fall von Selbstinszenierung
dc.contributor.author | Park, Johannes | |
dc.date.accessioned | 2021-12-07T16:16:42Z | |
dc.date.available | 2021-12-07T16:16:42Z | |
dc.date.issued | 2017 | |
dc.identifier | ONIX_20211207_9783110528992_107 | |
dc.identifier.issn | 1862-1139 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/51752 | |
dc.language | German | |
dc.relation.ispartofseries | Millennium-Studien / Millennium Studies | |
dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts | en_US |
dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval | en_US |
dc.subject.other | Interfigurality | |
dc.subject.other | Phaedrus | |
dc.subject.other | Horace | |
dc.subject.other | self-staging | |
dc.title | Interfiguralität bei Phaedrus | |
dc.title.alternative | Ein fabelhafter Fall von Selbstinszenierung | |
dc.type | book | |
oapen.abstract.otherlanguage | In the prologues and epilogues to his Fables, Phaedrus – despite the low reputation of the genre – develops a complex if at times inconsistent poetics. The ambivalences and contradictory nature of his poetics are part of the fabulist`s self-presentation, whereby certain figures, such as Aesop the trickster, the donkey, and even divine figures such as Prometheus play central role. | |
oapen.identifier.doi | 10.1515/9783110528992 | |
oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
oapen.relation.isbn | 9783110528992 | |
oapen.relation.isbn | 9783110527568 | |
oapen.relation.isbn | 9783110528596 | |
oapen.series.number | 66 | |
oapen.pages | 258 | |
oapen.place.publication | Berlin/Boston |