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dc.contributor.authorPark, Johannes
dc.date.accessioned2021-12-07T16:16:42Z
dc.date.available2021-12-07T16:16:42Z
dc.date.issued2017
dc.identifierONIX_20211207_9783110528992_107
dc.identifier.issn1862-1139
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/51752
dc.languageGerman
dc.relation.ispartofseriesMillennium-Studien / Millennium Studies
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval textsen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medievalen_US
dc.subject.otherInterfigurality
dc.subject.otherPhaedrus
dc.subject.otherHorace
dc.subject.otherself-staging
dc.titleInterfiguralität bei Phaedrus
dc.title.alternativeEin fabelhafter Fall von Selbstinszenierung
dc.typebook
oapen.abstract.otherlanguageIn the prologues and epilogues to his Fables, Phaedrus – despite the low reputation of the genre – develops a complex if at times inconsistent poetics. The ambivalences and contradictory nature of his poetics are part of the fabulist`s self-presentation, whereby certain figures, such as Aesop the trickster, the donkey, and even divine figures such as Prometheus play central role.
oapen.identifier.doi10.1515/9783110528992
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isbn9783110528992
oapen.relation.isbn9783110527568
oapen.relation.isbn9783110528596
oapen.series.number66
oapen.pages258
oapen.place.publicationBerlin/Boston


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