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dc.contributor.authorTait, Peta
dc.date.accessioned2021-12-13T11:02:10Z
dc.date.available2021-12-13T11:02:10Z
dc.date.issued2022
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/51898
dc.description.abstract"Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance."en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studiesen_US
dc.subject.classificationthema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guidesen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makersen_US
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR5 Phenomenology and Existentialismen_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JM Psychologyen_US
dc.subject.otherEmotions,emotional feeling,human,non-human,animals,environment,Aristotle,Shakespeare,Chekhoven_US
dc.titleChapter 1 Affect theory and performance intentionen_US
dc.typechapter
oapen.identifier.doi10.4324/9781003124832-2en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBook114d05f9-058a-4357-bae0-d1430c2d2c0een_US
oapen.relation.isFundedByb02ef5bc-63af-46fb-9986-54765e69b1fben_US
oapen.relation.isbn9780367644970en_US
oapen.relation.isbn9780367644987en_US
oapen.imprintRoutledgeen_US
oapen.pages27en_US
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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