Chapter 1 Affect theory and performance intention
Proposal review
dc.contributor.author | Tait, Peta | |
dc.date.accessioned | 2021-12-13T11:02:10Z | |
dc.date.available | 2021-12-13T11:02:10Z | |
dc.date.issued | 2022 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/51898 | |
dc.description.abstract | "Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance." | en_US |
dc.language | English | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies | en_US |
dc.subject.classification | thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBV Creative writing and creative writing guides | en_US |
dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers | en_US |
dc.subject.classification | thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR5 Phenomenology and Existentialism | en_US |
dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JM Psychology | en_US |
dc.subject.other | Emotions,emotional feeling,human,non-human,animals,environment,Aristotle,Shakespeare,Chekhov | en_US |
dc.title | Chapter 1 Affect theory and performance intention | en_US |
dc.type | chapter | |
oapen.identifier.doi | 10.4324/9781003124832-2 | en_US |
oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | en_US |
oapen.relation.isPartOfBook | 114d05f9-058a-4357-bae0-d1430c2d2c0e | en_US |
oapen.relation.isFundedBy | b02ef5bc-63af-46fb-9986-54765e69b1fb | en_US |
oapen.relation.isbn | 9780367644970 | en_US |
oapen.relation.isbn | 9780367644987 | en_US |
oapen.imprint | Routledge | en_US |
oapen.pages | 27 | en_US |
peerreview.anonymity | Single-anonymised | |
peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
peerreview.open.review | No | |
peerreview.publish.responsibility | Publisher | |
peerreview.review.stage | Pre-publication | |
peerreview.review.type | Proposal | |
peerreview.reviewer.type | Internal editor | |
peerreview.reviewer.type | External peer reviewer | |
peerreview.title | Proposal review | |
oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |