Show simple item record

dc.contributor.authorBüch, Michel
dc.date.accessioned2022-04-05T12:30:11Z
dc.date.available2022-04-05T12:30:11Z
dc.date.issued2022
dc.identifierONIX_20220405_9783110752748_13
dc.identifier.issn2698-5349
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/53712
dc.description.abstractThis study originates in the observation that improv comedy or improvised theater has such a vast majority of white people practicing it, while other improvisational or comedic art forms (jazz, freestyle rap, stand up) are historically grounded in and marked as Black cultural production. What it is about improv that makes it such a white space? Can an absence be an object of study? If so, what is there to study? Where should one look?
dc.languageEnglish
dc.relation.ispartofseriesAmerican Frictions
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000en_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrightsen_US
dc.subject.classificationthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTZ General studies and General knowledgeen_US
dc.subject.otherImprov Comedy
dc.subject.otherWhitefacing
dc.subject.otherBlack Cultural Production
dc.titleWhiteface
dc.title.alternativeImprov Comedy and Anti-Blackness
dc.typebook
oapen.identifier.doi10.1515/9783110752748
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isbn9783110752748
oapen.relation.isbn9783110752670
oapen.relation.isbn9783110752823
oapen.imprintDe Gruyter
oapen.series.number5
oapen.pages262
oapen.place.publicationBerlin/Boston


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record