Remaking Gender and the Family
Perspectives on Contemporary Chinese-language Film Remakes
| dc.contributor.author | Woodland, Sarah | |
| dc.date.accessioned | 2022-04-07T09:16:26Z | |
| dc.date.available | 2022-04-07T09:16:26Z | |
| dc.date.issued | 2018 | |
| dc.identifier | ONIX_20220407_9789004363298_86 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/53871 | |
| dc.description.abstract | In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes, exploring how source texts are reshaped for their new audiences, and focusing on how changes in representations of gender connect with perceived socio-cultural, political and cinematic values within China.; Readership: This monograph would be of relevance to academics and non-specialists with an interest in Asian/Chinese-language cinema, gender, film, culture and remake studies. The work be a useful addition to institutional collections on these topics as well. | |
| dc.language | English | |
| dc.relation.ispartofseries | Women and Gender in China Studies | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema | en_US |
| dc.subject.other | Film, TV & radio | |
| dc.subject.other | Films, cinema | |
| dc.title | Remaking Gender and the Family | |
| dc.title.alternative | Perspectives on Contemporary Chinese-language Film Remakes | |
| dc.type | book | |
| oapen.identifier.doi | 10.1163/9789004363304 | |
| oapen.relation.isPublishedBy | af16fd4b-42a1-46ed-82e8-c5e880252026 | |
| oapen.relation.isFundedBy | Knowledge Unlatched | |
| oapen.relation.isbn | 9789004363298 | |
| oapen.relation.isbn | 9789004363304 | |
| oapen.collection | Knowledge Unlatched (KU) | |
| oapen.imprint | BRILL | |
| oapen.series.number | 9 | |
| oapen.pages | 168 |
