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dc.contributor.authorNATALI, ILARIA
dc.date.accessioned2022-05-31T10:14:25Z
dc.date.available2022-05-31T10:14:25Z
dc.date.issued2008
dc.identifierONIX_20220531_9788884539090_112
dc.identifier.issn2612-8020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/54828
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.subject.otherLetteratura
dc.subject.otherletteratura straniera
dc.subject.otherCritica letteraria
dc.subject.otherJames Joyce
dc.subject.otherOpen Access
dc.titleThe Ur-Portrait
dc.title.alternativeStephen Hero ed il processo di creazione artistica in A Portrait of the Artist as a Young Man
dc.typebook
oapen.abstract.otherlanguageA Portrait of the Artist as a Young Man presents a non-linear compositional progression, characterised by continual fractures, bifurcations and revisions; the genetic dossier includes pre-compositional notes and works that were never published, such as Epiphanies, A Portrait of the Artist and Stephen Hero. The genetic analysis of this long process of writing, the documentation of which covers a period of around fourteen years, reveals not only how the Portrait was conceived and composed, but also Joyce's evolution as a writer from the very first evidence of his literary activity. This new perspective on Joyce's mode of composition opens the way to a range of potential interpretations of the individual texts, as well as methodological and theoretical insights regarding genetic criticism.
oapen.identifier.doi10.36253/978-88-8453-909-0
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788884539090
oapen.relation.isbn9788884539083
oapen.relation.isbn9788892737884
oapen.series.number2
oapen.pages188
oapen.place.publicationFirenze


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