The Ur-Portrait
Stephen Hero ed il processo di creazione artistica in A Portrait of the Artist as a Young Man
dc.contributor.author | NATALI, ILARIA | |
dc.date.accessioned | 2022-05-31T10:14:25Z | |
dc.date.available | 2022-05-31T10:14:25Z | |
dc.date.issued | 2008 | |
dc.identifier | ONIX_20220531_9788884539090_112 | |
dc.identifier.issn | 2612-8020 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/54828 | |
dc.language | Italian | |
dc.relation.ispartofseries | Premio Tesi di Dottorato | |
dc.subject.other | Letteratura | |
dc.subject.other | letteratura straniera | |
dc.subject.other | Critica letteraria | |
dc.subject.other | James Joyce | |
dc.subject.other | Open Access | |
dc.title | The Ur-Portrait | |
dc.title.alternative | Stephen Hero ed il processo di creazione artistica in A Portrait of the Artist as a Young Man | |
dc.type | book | |
oapen.abstract.otherlanguage | A Portrait of the Artist as a Young Man presents a non-linear compositional progression, characterised by continual fractures, bifurcations and revisions; the genetic dossier includes pre-compositional notes and works that were never published, such as Epiphanies, A Portrait of the Artist and Stephen Hero. The genetic analysis of this long process of writing, the documentation of which covers a period of around fourteen years, reveals not only how the Portrait was conceived and composed, but also Joyce's evolution as a writer from the very first evidence of his literary activity. This new perspective on Joyce's mode of composition opens the way to a range of potential interpretations of the individual texts, as well as methodological and theoretical insights regarding genetic criticism. | |
oapen.identifier.doi | 10.36253/978-88-8453-909-0 | |
oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
oapen.relation.isbn | 9788884539090 | |
oapen.relation.isbn | 9788884539083 | |
oapen.relation.isbn | 9788892737884 | |
oapen.series.number | 2 | |
oapen.pages | 188 | |
oapen.place.publication | Firenze |