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dc.contributor.authorTottossy, Beatrice
dc.date.accessioned2022-05-31T10:18:55Z
dc.date.available2022-05-31T10:18:55Z
dc.date.issued2012
dc.identifierONIX_20220531_9788866553113_286
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/55002
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.classificationbic Book Industry Communication::C Language::CF linguistics
dc.subject.classificationbic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
dc.titleUngheria 1945-2002. La dimensione letteraria
dc.typebook
oapen.abstract.otherlanguageThe 2002 Nobel Prize to Imre Kertész is a symptom: Hungary is now weltliterarisch. The historical process – which has seen Hungarian writers working since the 1970s to gain ontological autonomy for their field, to write in a language that is not mendacious, to go beyond the 'modern' of real socialism to a 'postmodern' in which reality is not "described", but "employed", and to anthropic ends – is at a standstill, it is greeted abroad as a common heritage. According to Ungheria 1945-2002. La dimensione letteraria – which concludes a prolonged period of analytical work (see Scrivere postmoderno in Ungheria, 1995, and Scrittori ungheresi allo specchio, 2003) – the Hungarian contribution to the contemporary era lies in its sense for this anthropic function of literature (even though the context now seems to want to thwart this effort).
oapen.identifier.doi10.36253/978-88-6655-311-3
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788866553113
oapen.relation.isbn9788892737310
oapen.series.number15
oapen.pages221
oapen.place.publicationFirenze


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