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dc.contributor.authorPastorelli, Giuseppina
dc.date.accessioned2022-05-31T10:23:36Z
dc.date.available2022-05-31T10:23:36Z
dc.date.issued2015
dc.identifierONIX_20220531_9788866559399_497
dc.identifier.issn2612-8020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/55213
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.titleL’immagine del cane in Franz Kafka
dc.typebook
oapen.abstract.otherlanguageWithin the Kafkaesque bestiary, the dog is undoubtedly the animal that deserves a more careful study: it is the image which the author uses the most, in literary writing but also in the private one, and which occupies a a very large time span, so much so that it becomes a real key figure through which to read Kafka's work from a possible new perspective. The volume aims to demonstrate how the problems that have characterized Kafka's existence are hidden behind the dog's symbology, the reflections around which he has concentrated, throughout his life, his thought and his writing: the woman and the question of marriage, writing itself, religion as a relationship with the divine.
oapen.identifier.doi10.36253/978-88-6655-939-9
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788866559399
oapen.relation.isbn9788866559382
oapen.relation.isbn9788892733121
oapen.series.number48
oapen.pages246
oapen.place.publicationFlorence


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