La double séance : La musique sur la scène théâtrale et littéraire / La musica sulla scena teatrale e letteraria

dc.contributor.editor	LANDI, Michela
dc.date.accessioned	2022-05-31T10:27:28Z
dc.date.available	2022-05-31T10:27:28Z
dc.date.issued	2017
dc.identifier	ONIX_20220531_9788864536651_638
dc.identifier.issn	2420-8361
dc.identifier.uri	https://library.oapen.org/handle/20.500.12657/55354
dc.language	French
dc.relation.ispartofseries	Biblioteca di Studi di Filologia Moderna
dc.title	La double séance
dc.title.alternative	La musique sur la scène théâtrale et littéraire / La musica sulla scena teatrale e letteraria
dc.type	book
oapen.abstract.otherlanguage	If the play, our device, had no other function than to project, "at some elevation", certain lacks of which we would hardly be aware, there can only be in the Letters, according to Mallarmé, a single essential act: to question the relationships that this device maintains with some internal state of ourselves. We believe, with the author of La Musique et les Lettres, that it is through the play of their often rival relationships that the arts can be understood and make us understand. This game, which never stops urging us, constantly asks us for new instruments for its implementation - or its staging.
oapen.identifier.doi	10.36253/978-88-6453-665-1
oapen.relation.isPublishedBy	bf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn	9788864536651
oapen.relation.isbn	9788892731356
oapen.series.number	39
oapen.pages	374
oapen.place.publication	Florence