Show simple item record

dc.contributor.authorStöckle, Susanne Magdalena
dc.date.accessioned2022-05-31T10:31:19Z
dc.date.available2022-05-31T10:31:19Z
dc.date.issued2018
dc.identifierONIX_20220531_9788864537122_772
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/55488
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.titleMare, fiume, ruscello
dc.title.alternativeAcqua e musica nella cultura romantica
dc.typebook
oapen.abstract.otherlanguageMare, fiume, ruscello. Acqua e musica nella cultura romantica (Sea, river, stream. Water and music in romantic culture) re-reads German literature between the 18th and 19th centuries, focusing on the figure of water, following the theoretical-methodological lines traced by Gaston Bachelard in his studies on material imagination, especially in his 1942 work L'eau et les rêves. The work investigates the elective affinities between liquid substance, poetic word and music in the romantic period. The rereading highlights the large number of "liquid-aquatic" metaphors in Franz Schubert's lieder works, with particular attention to the cycles Die Schöne Müllerin (1823) and Winterreise (1828). The study is conducted in an interdisciplinary perspective that extends, between literary and musical analysis, to the reading and listening of the Lieder.
oapen.identifier.doi10.36253/978-88-6453-712-2
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788864537122
oapen.relation.isbn9788892731363
oapen.series.number41
oapen.pages240
oapen.place.publicationFlorence


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record