Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta
dc.contributor.author | Bacherini, Gabriele | |
dc.date.accessioned | 2022-05-31T10:35:09Z | |
dc.date.available | 2022-05-31T10:35:09Z | |
dc.date.issued | 2020 | |
dc.identifier | ONIX_20220531_9788855181310_898 | |
dc.identifier.issn | 2420-8361 | |
dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/55614 | |
dc.language | Italian | |
dc.relation.ispartofseries | Biblioteca di Studi di Filologia Moderna | |
dc.subject.other | Burroughs | |
dc.subject.other | Cut-up | |
dc.subject.other | Dada | |
dc.subject.other | Neo-avant-gardes | |
dc.subject.other | Pop art | |
dc.subject.other | 1968 | |
dc.title | Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta | |
dc.type | book | |
oapen.abstract.otherlanguage | Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta analyses the influence of William Seward Burroughs’ cut-up method on British and German-language neo-avant-gardes of the 1960s and 1970s from a comparative point of view, with particular attention to the literary context of the Federal Republic of Germany. In four chapters devoted to a profile of this American intellectual and artist, the origins, stylistic features and reception of the cut-up method, the author investigates the reasons for the success of this process, rediscovered by Burroughs and aiming at a reconstruction of text fragments to build up new textual entities. The last chapter is an overview of the most interesting of the uses of the cut-up method in artistic environments other than literary writing, documenting the transformation of a rebellious technique into a new form of expression, i.e. pop art. | |
oapen.identifier.doi | 10.36253/978-88-5518-131-0 | |
oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
oapen.relation.isbn | 9788855181310 | |
oapen.relation.isbn | 9788855181327 | |
oapen.series.number | 54 | |
oapen.pages | 270 | |
oapen.place.publication | Florence |