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dc.contributor.authorMoschetti, Vincenzo
dc.date.accessioned2022-05-31T10:35:59Z
dc.date.available2022-05-31T10:35:59Z
dc.date.issued2020
dc.identifierONIX_20220531_9788855180641_919
dc.identifier.issn2612-8020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/55635
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.subject.otherdesire
dc.subject.otherhouse
dc.subject.othermediterranean space
dc.subject.otherpalladian landscape
dc.subject.otherPeter Märkli
dc.titleCamere Azzurre
dc.title.alternativeCostruzione di un’antologia mediterranea: da Palladio a Peter Märkli
dc.typebook
oapen.abstract.otherlanguageThe Mediterranean world has been seen for centuries as a ‘hyperbaric chamber’ in which the production of idyllic images by Grand Tour travellers has led its actual architectural evolution to the abysses, as a result of compromises in space. This has involved the construction of a (counter-)Atlas within which the architectures have acted by transfers, thus redefining the notion of geography according to space. This work investigates this 'encroaching' through the theme of the bourgeois dwelling, seeking a logical principle between the Mediterranean and the architectures by Palladio, Rossi and Märkli, united by a system of invisible distances able to demonstrate the temporariness of the 'maps'. Therefore, if it is true that the construction of space is able to change the geographical maps, it is legitimate to ask in this sense where the Mediterranean ends, a question to which this work tries to find an answer by means of the architectural project and its compositional phenomena.
oapen.identifier.doi10.36253/978-88-5518-064-1
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855180641
oapen.relation.isbn9788855180634
oapen.relation.isbn9788855180658
oapen.series.number86
oapen.pages242
oapen.place.publicationFlorence


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