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dc.contributor.authorMarchesini, Irina
dc.date.accessioned2022-06-01T12:06:37Z
dc.date.available2022-06-01T12:06:37Z
dc.date.issued2015
dc.identifierONIX_20220601_9788866558224_7
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/55824
dc.description.abstractThis article explores the phenomenon of nostalgia for the Soviet era found in contemporary Russian society and manifested both in contemporary art, such as in the installations of Il'ja Kabakov, Sergej Volkov, and Jevgenij Fiks, and in modern literature, especially in the prose of Andrej Astvacaturov. Such regret for a bygone past primarily mourns not the apparatus of the Soviet state, but the routine and the quality of familiar daily life. Insights from the fields of visual studies and trauma studies undergird this exploration of the relationship between a work of art's visual composition and its representation of toska, memory, and material culture in the Soviet era. By juxtaposing artwork with literary prose, we reveal the significant role had by 'reflective' toska-nostalgia (as defined by Svetlana Boym, 2001) in the formation of post-Soviet identity.
dc.languageEnglish
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.otherabsence
dc.subject.otherpost-soviet
dc.subject.otherKabakov
dc.subject.otherFiks
dc.subject.otherAstvatsaturov
dc.titleChapter The Presence of Absence. Longing and Nostalgia in Post-Soviet Art and Literature
dc.typechapter
oapen.identifier.doi10.36253/978-88-6655-822-4.07
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788866558224
oapen.series.number28
oapen.pages17
oapen.place.publicationFlorence


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