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dc.contributor.authorGAVRILOVICH, DONATELLA
dc.date.accessioned2022-06-01T12:07:15Z
dc.date.available2022-06-01T12:07:15Z
dc.date.issued2017
dc.identifierONIX_20220601_9788864535074_32
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/55849
dc.description.abstractThe present issue focuses on Savva Mamontov as main creator of a theatrical-synaesthetic experimentation in Russia, based on the research of a common Slavic and pre-Helenic civilizations root to create a universal artistic language. So the paper explores Sciamanism and Shiite mother goddess cult to identify the conjunction points between these ancient cults and the rediscovery of the artist's gesture sacredness both in Mamontov's conception both in the painters' artworks of his circle.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.otherSavva Mamontov
dc.subject.otherRussian Theatre
dc.subject.otherRussian Avant-Garde
dc.subject.otherSlavic Sciamanism
dc.titleChapter L’eredità teatrale e artistica di Savva Mamontov: un ponte tra Oriente e Occidente
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-507-4.15
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788864535074
oapen.series.number36
oapen.pages18
oapen.place.publicationFlorence


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