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dc.contributor.authorALVITI, Roberta
dc.date.accessioned2022-06-01T12:17:27Z
dc.date.available2022-06-01T12:17:27Z
dc.date.issued2020
dc.identifierONIX_20220601_9788855181501_437
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56254
dc.description.abstractThe article focuses on a collection of manuscript scenari, the Gibaldone of the Count of Casamarciano, transcribed in Naples in the year 1700. In this collection there are five canovacci derived from Calderonian comedies; among them, we can find Il finto astrologo, whose source text is a famous cloak and sword play, El astrólogo fingido. The relationship between the comedy and the scenario will be studied, in particular as regards those sections of the Calderonian play that have been added and removed so as to conform it to the codes of commedia dell’arte.
dc.languageSpanish
dc.relation.ispartofseriesStudi e saggi
dc.subject.otherCalderón
dc.subject.otherEl astrólogo fingido
dc.subject.otherCommedia dell'arte
dc.subject.othertheatrical rewriting
dc.titleChapter Calderón en el Gibaldone de Casamarciano (II): el scenario Il finto astrologo
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-150-1.15
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855181501
oapen.series.number209
oapen.pages14
oapen.place.publicationFlorence


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