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dc.contributor.authorMasciandaro, Franco
dc.date.accessioned2022-06-01T12:18:57Z
dc.date.available2022-06-01T12:18:57Z
dc.date.issued2021
dc.identifierONIX_20220601_9788855184588_501
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56316
dc.description.abstractI welcomed with enthusiasm the invitation to participate in the project of the young dantisti of the University of the Witwatersrand, as described by Chariklia Martalas: “To think critically about how the 21st century would change our views of Dante’s Divine Comedy if we interpret it through creative form.” I like to think of this project as a way, or method, that at once departs from and builds upon the traditional Dante studies. I therefore imagine that I am participating in a symposium, and therefore a dialogue with the young authors of this project, in the spirit of a newly discovered friendship.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.subject.otherDante in South Africa
dc.subject.otherreading Dante
dc.subject.otherinterpreting Dante
dc.titleChapter Notes on the writings by the University of the Witwatersrand students of Dante
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-458-8.12
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855184588
oapen.series.number228
oapen.pages18
oapen.place.publicationFlorence


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