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dc.contributor.authorBiagini, Enza
dc.date.accessioned2022-06-01T12:23:45Z
dc.date.available2022-06-01T12:23:45Z
dc.date.issued2021
dc.identifierONIX_20220601_9788855183383_604
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56419
dc.description.abstractThe current essay aims to highlighting a few aspects of the fine ‘art of the monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.otherClaudio Magris
dc.subject.otherLei dunque capirà
dc.subject.otherMonologue
dc.subject.other Myth
dc.subject.otherParody
dc.titleChapter L’io nello sguardo dell’altra. L’arte del monologo di Claudio Magris
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-338-3.20
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855183383
oapen.series.number59
oapen.pages42
oapen.place.publicationFlorence


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