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dc.contributor.authorFallani, Andrea
dc.date.accessioned2022-06-01T12:23:47Z
dc.date.available2022-06-01T12:23:47Z
dc.date.issued2021
dc.identifierONIX_20220601_9788855183383_605
dc.identifier.issn2420-8361
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56420
dc.description.abstractStarting from the critics’ observations about the structure of Microcosmi, the essay focuses on the key role played by the love story between the protagonist-narrator and his wife Marisa, a sort of rewriting of Orpheus and Eurydice’s myth. Convergences and variations between the classic vulgate of the myth and the pseudo-rewriting of Microcosmi are highlighted. The essay also focuses on the Indian myth of Savitri and Sátiavan, to understand the source of the many substantial variations and, in particular, the reversal of roles between male and female characters. This myth turns out to be a privileged source for the rewritings of the Orpheus’ myth that are offered by Magris in his Microcosmi.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.subject.otherClaudio Magris
dc.subject.otherMicrocosmi
dc.subject.otherMythocriticism
dc.subject.otherOrpheus and Euridyce
dc.titleChapter La rielaborazione dei mitemi orfici in Microcosmi. Tra vulgata classica e favola indiana
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-338-3.27
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855183383
oapen.series.number59
oapen.pages17
oapen.place.publicationFlorence


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