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dc.contributor.authorBaldi, Ester
dc.date.accessioned2022-06-01T12:25:08Z
dc.date.available2022-06-01T12:25:08Z
dc.date.issued2021
dc.identifierONIX_20220601_9788855185103_652
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56467
dc.description.abstractThe aim of this research is to demonstrate the convergences between the rhymes of Dante's Commedia and Boccaccio's Caccia di Diana. The analysis developed on the rhymes has allowed us to understand that Boccaccio's work presents 44.6% of rhymes derived from the Comedia. The author, however, does not only retrieve rhymes from Dante, but he also uses contexts, images and syntagmas present in the three canticles. Caccia di Diana is the first work in tercets after the Commedia and the vulgarization of De Consolatione Philosophiae executed by Alberto Della Piagentina, so it is extremely interesting to note how the young Boccaccio approaches the Dantean model to begin composing in verse.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.subject.otherBoccaccio
dc.subject.otherCaccia di Diana
dc.subject.otherRhymes
dc.subject.otherCommedia
dc.subject.otherTercets
dc.titleChapter Indagini sulla poesia del giovane Boccaccio: il segno di Dante nelle terzine della Caccia di Diana
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-510-3.02
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855185103
oapen.series.number236
oapen.pages13
oapen.place.publicationFlorence


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