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dc.contributor.authorMarkaki, Tatiana
dc.date.accessioned2022-06-01T12:29:34Z
dc.date.available2022-06-01T12:29:34Z
dc.date.issued2022
dc.identifierONIX_20220601_9788855185653_789
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/56605
dc.description.abstractThis paper investigates innovations of the early modern European textile industry and practices of cultural transfer using seventeenth-century Venetian Crete as a case study. It explores the use of novelties, such as mixed cloths, in the dowries assigned to brides in the urban setting of Candia (modern Heraklion) and the surrounding countryside during the period 1600-1645. It draws on computer-processed data from marriage agreements and inventories of movables from the State Archives of Venice. It illustrates, through a comparative lens, how brides used (silk) mixed fabrics to differentiate themselves from others and how Venetian Crete followed the changes in production techniques of the European textile industry.
dc.languageEnglish
dc.relation.ispartofseriesDatini Studies in Economic History
dc.subject.otherVenetian Crete
dc.subject.otherinnovations
dc.subject.othermixed fabrics
dc.subject.othercultural transfer
dc.subject.otherseventeenth century.
dc.titleChapter Innovations and the art of deception: mixed cloths in Venetian Crete (17th century)
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-565-3.04
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855185653
oapen.series.number2
oapen.pages10
oapen.place.publicationFlorence


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