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dc.contributor.authorMiles, Melissa
dc.date.accessioned2022-06-28T08:20:02Z
dc.date.available2022-06-28T08:20:02Z
dc.date.issued2020
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/57126
dc.description.abstractThe notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina’s Proceso as a source of peace and stability, Canada’s residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as an unimpeachable force for justice. Photography has proven a valuable partner in these endeavours. Photographs provide evocative visual, temporal and material links to the past that allow them to be used as evidence, affirmations of different types of truth, political critique, and individual and shared historical narratives. Contemporary patterns of international photography education, exhibition, theorization and publication reaffirm the critical necessity of bringing a deterritorialized perspective to national case studies. Contemporary photographers are deterritorializing their responses to human rights abuses by forging connections between different historical events across time and space.en_US
dc.languageEnglishen_US
dc.subject.otherhistory of photography, art history, visual studiesen_US
dc.titleChapter 7 Conclusionen_US
dc.typechapter
oapen.identifier.doi10.4324/9781003103820-7en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBookbdbf6e49-294c-4b01-b537-350097b64f83en_US
oapen.relation.isFundedByfba673a1-ae6a-4dd4-91dd-32bdd6d35a1een_US
oapen.relation.isbn9781032220239en_US
oapen.relation.isbn9781474296069en_US
oapen.imprintRoutledgeen_US
oapen.pages9en_US


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