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dc.contributor.authorVolgsten, Ulrik
dc.date.accessioned2022-08-31T11:54:08Z
dc.date.available2022-08-31T11:54:08Z
dc.date.issued2022
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/58073
dc.description.abstractMusic has undergone a tremendous mediatization the last 100 years. Electrification and, later on, the digitization of music media have exposed music to an increased dissemination, both spatially – it can be heard almost everywhere – and temporally – one can listen to music almost anytime. This chapter aims to highlight and detail some fundamental changes and important transformations and displacements in everyday listening to recorded music as they first emerged. The macro level changes and transformations described by the concepts of mediatization and musicalization nevertheless depend on what happens at meso and micro levels. Recorded music in Sweden during the early decades of the century met with a “utilitarian” approach among audiences. In many ways, the change in attitude towards the gramophone and recorded music that can be traced in the reviews corresponds to transformations within the conceptual space.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::A The Arts::AV Musicen_US
dc.subject.otherMusic/Sound Studiesen_US
dc.titleChapter 6 Mediatization of music, musicalization of everyday lifeen_US
dc.title.alternativeNew ways of listening to recorded sound in Sweden during the interwar years, 1919–1939en_US
dc.typechapter
oapen.identifier.doi10.4324/9781003006497-9en_US
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bben_US
oapen.relation.isPartOfBook2f00753d-5965-45d3-9a7d-5361364ab731en_US
oapen.relation.isbn9780367439217en_US
oapen.relation.isbn9781032057118en_US
oapen.imprintRoutledgeen_US
oapen.pages20en_US
oapen.remark.publicFunder name: Bank of Sweden Tercentenary Foundation
peerreview.anonymitySingle-anonymised
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.review.stagePre-publication
peerreview.review.typeProposal
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.titleProposal review
oapen.review.commentsTaylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required).


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