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dc.contributor.authorAchilli, Alessandro
dc.date.accessioned2022-09-15T20:06:40Z
dc.date.available2022-09-15T20:06:40Z
dc.date.issued2019
dc.identifierONIX_20220915_9788864539102_58
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/58262
dc.description.abstractThis article considers the presence of modernist elements in poetry from the second half of the 20th century, focusing in particular on Russian and Ukrainian examples. We argue for the necessity of properly recognizing and analyzing modernist phenomena in a period (1960s-1980s) when these have often been eclipsed by a tendency in literary criticism to overstate the role of Postmodernism. We also examine differences in the Western and Soviet cultural contexts and in the roles that Neomodernist poetics played in the poetry of various authors, groups and texts.
dc.languageEnglish
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociologyen_US
dc.subject.otherNeomodernism
dc.subject.otherRussian poetry
dc.subject.otherUkrainian poetry
dc.subject.otherModernist poetry
dc.subject.otherModernism
dc.titleChapter Neomodernist trends in Russian and Ukrainian poetry of the second half of the 20th century: theoretical problems and the European context
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-910-2.12
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788864539102
oapen.series.number43
oapen.pages9
oapen.place.publicationFlorence


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