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dc.contributor.authorCaprioglio, Nadia
dc.date.accessioned2022-09-15T20:06:41Z
dc.date.available2022-09-15T20:06:41Z
dc.date.issued2019
dc.identifierONIX_20220915_9788864539102_59
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/58263
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociologyen_US
dc.subject.otherDmitrij Merežkovskij
dc.subject.otherNietzsche
dc.subject.otherRussian Neo-Christianity
dc.subject.otherbogoiskatel’stvo
dc.titleChapter Nietzsche e l’immaginazione culturale in Russia all’inizio del XX secolo. Un caso di studio: Dmitrij Merežkovskij
dc.typechapter
oapen.abstract.otherlanguageIn the decades prior to the Revolution of 1917, the Russian intelligencija was strongly influenced by Western European intellectuals, including Friedrich Nietzsche. Nietzsche was one of the European philosophers who played a prominent role in shaping Russian perceptions of reality in this period, although his thought was interpreted by Russians in contrasing ways. The article examines the case of Dmitrij Merežkovskij, reassessing the extent of Nietzsche’s influence on his oeuvre. In our view, Nietzsche did not only influence Merežkovskij’s early poetry, where aesthetic and anti-Christian views prevail, but also contributed to the sensual and individualist nature of his later prose.
oapen.identifier.doi10.36253/978-88-6453-910-2.28
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788864539102
oapen.series.number43
oapen.pages9
oapen.place.publicationFlorence


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