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dc.contributor.authorRONCHETTI, Barbara
dc.date.accessioned2022-09-15T20:06:43Z
dc.date.available2022-09-15T20:06:43Z
dc.date.issued2019
dc.identifierONIX_20220915_9788864539102_61
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/58265
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociologyen_US
dc.subject.otherintercultural studies
dc.subject.otherdiversity
dc.subject.otheroutsideness
dc.subject.otherRussia and Europe
dc.subject.othercontemporary Russian literature
dc.titleChapter Sguardo di confine. Qualche riflessione a partire dalla contemporaneità russa
dc.typechapter
oapen.abstract.otherlanguageFacing the present in relation to the past, the “outsideness” of Italian Slavic studies can be seen to represent a liminal space between the self and the Other. This article discusses how the image of the Russian poet, who is capable of both satisfying a Russian quest for uniqueness and legitimizing what Western eyes often see as Russian culture’s illegibility, intersects with themes raised in the field of diversity studies. Our close analysis of texts and facts, conducted using a polycentric approach and with reference to notions of “approximation” and “contamination”, acknowledges differences as a step not towards their elimination or homogenization, but towards the “translation” into one’s own culture of voices that were originally distinct.
oapen.identifier.doi10.36253/978-88-6453-910-2.35
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788864539102
oapen.series.number43
oapen.pages10
oapen.place.publicationFlorence


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