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dc.contributor.authorDi Leo, Donata
dc.date.accessioned2022-09-15T20:06:49Z
dc.date.available2022-09-15T20:06:49Z
dc.date.issued2019
dc.identifierONIX_20220915_9788864539102_65
dc.identifier.issn2612-7679
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/58269
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociologyen_US
dc.subject.otherVjačeslav Ivanov
dc.subject.otherFaust
dc.subject.otherGoethe
dc.subject.otherReception of Faust
dc.subject.otherRussian Symbolism
dc.titleChapter Преломление образа Фауста у Вячеслава Иванова
dc.typechapter
oapen.abstract.otherlanguageIn 1993 Michael Wachtel published Ivanov’s Russian Faust, comprising two scenes that appear to continue Goethe’s Faust and most likely represent the beginnings of a Faust drama. Ivanov was the first Russian poet to reevaluate the second part of Goethe’s poem for its extremely symbolic content. As a result, he was considerably influenced by Goethe’s creative experience. This article examines these two Faustian scenes and, more generally, the influence of Goethe’s Faust in Ivanov’s work; adopting a comparative approach, we explore the assimilation into Russian literature of a Central European myth.
oapen.identifier.doi10.36253/978-88-6453-910-2.16
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788864539102
oapen.series.number43
oapen.pages10
oapen.place.publicationFlorence


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