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dc.contributor.authorHansen, Pil
dc.date.accessioned2022-11-02T10:39:08Z
dc.date.available2022-11-02T10:39:08Z
dc.date.issued2022
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/59144
dc.description.abstractThis introduction motivates the objectives of Performance Generating Systems in Dance and provides wayfinding markers for the inquiries, insights, and resources of the book. First, the need to understand, conceptualize, and render accessible the practice of performance generating systems is discussed. I then sketch the interdisciplinary and multimethodological journey of research this book is based on and name the established artists and research collaborators that have been involved. The three theoretical frameworks of the book – dramaturgy, psychology, and performativity – are introduced and anchored in key insights about performance generating systems. From this backdrop, I outline how these frameworks are applied to, and further developed through, case examples of the practice by sharing a selection of the topics covered and discoveries offered within the contents of the book.en_US
dc.languageEnglishen_US
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Danceen_US
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance arten_US
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JM Psychologyen_US
dc.subject.otherperforming, dance, psychology, dramaturgy, notation, learning, movement therapy, traumaen_US
dc.titleChapter Introductionen_US
dc.title.alternativePerformance Generating Systems in Danceen_US
dc.typechapter
oapen.relation.isPublishedBydba70200-fc42-4588-b068-f9ec198260f0en_US
oapen.relation.isPartOfBook542e37fc-573d-4a8a-80a7-e23298559b52en_US
oapen.relation.isbn9781789386400en_US
oapen.relation.isbn9781789386424en_US
oapen.pages38en_US


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