Kognition und Reflexion: Zur Theorie filmischen Denkens
| dc.contributor.author | Kappelhoff, Hermann | |
| dc.date.accessioned | 2022-11-21T16:35:18Z | |
| dc.date.available | 2022-11-21T16:35:18Z | |
| dc.date.issued | 2018 | |
| dc.identifier | ONIX_20221121_9783110614855_97 | |
| dc.identifier.issn | 2509-4351 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/59554 | |
| dc.language | German | |
| dc.relation.ispartofseries | Cinepoetics | |
| dc.subject.classification | thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema | en_US |
| dc.subject.classification | thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTZ General studies and General knowledge | en_US |
| dc.subject.other | Film theory | |
| dc.subject.other | understandings of film | |
| dc.subject.other | conceptual metaphor theory | |
| dc.subject.other | metaphorology | |
| dc.title | Kognition und Reflexion: Zur Theorie filmischen Denkens | |
| dc.type | book | |
| oapen.abstract.otherlanguage | The discourse of sound motion pictures has evolved to become a cultural practice through which people attempt to grasp their subjective cognitive reality as part of a shared world. By developing a poetological theory of filmic thinking and the “cinematic metaphor,” this study shows how filmic images generate an understanding and thinking that introduces new differences and modalities into this shared reality. | |
| oapen.identifier.doi | 10.1515/9783110614855 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isbn | 9783110614855 | |
| oapen.relation.isbn | 9783110613209 | |
| oapen.relation.isbn | 9783110613971 | |
| oapen.imprint | De Gruyter | |
| oapen.series.number | 6 | |
| oapen.pages | 228 | |
| oapen.place.publication | Berlin/Boston |
