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dc.contributor.editorKappelhoff, Hermann
dc.contributor.editorLötscher, Christine
dc.contributor.editorIllger, Daniel
dc.date.accessioned2022-11-21T16:35:25Z
dc.date.available2022-11-21T16:35:25Z
dc.date.issued2018
dc.identifierONIX_20221121_9783110618945_102
dc.identifier.issn2509-4351
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/59559
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.subject.classificationbic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema
dc.subject.classificationbic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies
dc.subject.classificationbic Book Industry Communication::J Society & social sciences
dc.subject.classificationbic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
dc.subject.other1968 film analysis happening
dc.titleFilmische Seitenblicke
dc.title.alternativeCinepoetische Exkursionen ins Kino von 1968
dc.typebook
oapen.abstract.otherlanguageDid 1968 fail? The question is misstated. For the significance and consequences of ’68 cannot be captured in a coherent narrative. That year appears as the point of culmination of a set of highly heterogeneous cultural, social, and political phenomena. Cinema, with its classics and gems to be (re-)discovered, proves to be a kaleidoscope that lets us perceive the fractures and contradictions of ’68.
oapen.identifier.doi10.1515/9783110618945
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isbn9783110618945
oapen.relation.isbn9783110613179
oapen.relation.isbn9783110618709
oapen.imprintDe Gruyter
oapen.series.number7
oapen.pages436
oapen.place.publicationBerlin/Boston


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