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dc.contributor.authorFingerle, Maddalena
dc.date.accessioned2022-11-21T16:37:39Z
dc.date.available2022-11-21T16:37:39Z
dc.date.issued2022
dc.identifierONIX_20221121_9783110794113_184
dc.identifier.issn2749-8913
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/59675
dc.languageItalian
dc.relation.ispartofseriesVigilanzkulturen / Cultures of Vigilance
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetryen_US
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: generalen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHD European historyen_US
dc.subject.classificationthema EDItEUR::N History and Archaeologyen_US
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present dayen_US
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural historyen_US
dc.subject.otherAllegory
dc.subject.otherinquisition
dc.subject.otherTorquato Tasso
dc.subject.otherGiovan Battista Marino
dc.subject.othercensorship.
dc.titleLascivia mascherata
dc.title.alternativeAllegoria e travestimento in Torquato Tasso e Giovan Battista Marino
dc.typebook
oapen.abstract.otherlanguageHow do Torquato Tasso and Giovan Battista Marino react to the vigilant and normative context between the 16th and 17th centuries? Two evasive tactics designed to safeguard lewdness and enchantment in the poems are considered, starting from the relationship the two authors had with norms and rules: allegory on the one hand, and disguise on the other. Tasso's path is evolutionary and his opinion changes according to the internalisation of laws and values that lead to a re-evaluation of his initial opinions, while Marino transgresses the rules and uses typically defensive elements - such as allegory - overturning them and inventing a concealed offensive use. In this context, the paratextual allegories of Marino's Adonis, hitherto ill-considered by critics, are thus re-evaluated, and the Tasso route is reconsidered from a perspective that sees the two authors not as victims of a censorial system, but as active participants.
oapen.identifier.doi10.1515/9783110794113
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901
oapen.relation.isbn9783110794113
oapen.relation.isbn9783110791242
oapen.relation.isbn9783110794274
oapen.imprintDe Gruyter
oapen.series.number3
oapen.pages164
oapen.place.publicationBerlin/Boston
oapen.grant.number394775490
oapen.grant.acronymSFB 1369


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