Analytical Variations – Eight Critical Essays on Applied Music Theory
| dc.contributor.author | Edlund, Bengt | |
| dc.date.accessioned | 2022-11-23T09:28:39Z | |
| dc.date.available | 2022-11-23T09:28:39Z | |
| dc.date.issued | 2020 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/59690 | |
| dc.description.abstract | This book gives a critical account of various methods used in music analysis. In the first chapter, a number of current approaches such as semiotics, musical implications, Schenkerian analysis, and generative theory are demonstrated on Mozart’s K. 331 theme. Five essays deal with important concepts in music analysis: ambiguity, formal proportions, and similarity within and between works. A further chapter provides a discussion of probability, kinship, and influence – decisive criteria when judging musical plagiarism. The last essay, studying a piece by Schubert, sifts the prospects of deciphering a composer’s sexual leanings from his music. | en_US |
| dc.language | English | en_US |
| dc.relation.ispartofseries | Methodology of Music Research | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology | en_US |
| dc.subject.other | Analytical;Analytical methods;Applied;Critical;Edlund;Essays;Golden section;Music;Musical ambiguity;Musical hermeneutics;Musical plagiarism;Musical similarity;Schenkerian analysis;Theory;Variations | en_US |
| dc.title | Analytical Variations – Eight Critical Essays on Applied Music Theory | en_US |
| dc.type | book | |
| oapen.identifier.doi | 10.3726/b15989 | en_US |
| oapen.relation.isPublishedBy | e927e604-2954-4bf6-826b-d5ecb47c6555 | en_US |
| oapen.relation.isbn | 9783631797983 | en_US |
| oapen.relation.isbn | 9783631797990 | en_US |
| oapen.relation.isbn | 9783631770658 | en_US |
| oapen.series.number | 10 | en_US |
| oapen.pages | 616 | en_US |
| oapen.place.publication | Bern | en_US |
