Show simple item record

dc.contributor.authorMéndez Baiges, María Teresa
dc.date.accessioned2022-12-22T16:07:44Z
dc.date.available2022-12-22T16:07:44Z
dc.date.issued2022
dc.identifierONIX_20221222_9788855186568_86
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/60424
dc.description.abstractThe book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.
dc.languageEnglish
dc.relation.ispartofseriesStudi e saggi
dc.subject.classificationthema EDItEUR::A The Artsen_US
dc.subject.otherModernism
dc.subject.otherDemoiselles d'Avignon
dc.subject.otherModernist Criticism
dc.subject.otherNew History of Art
dc.subject.otherGlobal History of Art
dc.titleChapter Introduction. An Archaeology of Modernism
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-656-8.02
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9788855186568
oapen.series.number242
oapen.pages12
oapen.place.publicationFlorence


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record